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For example, “rain” and “roof” in line two of the second stanza and “teakettle’s” and “tears” in the second line of stanza three. The first, alliteration, occurs when words are used in succession, or at least appear close together, and begin with the same letter. These include alliteration, epistrophe, caesura, simile, and personification. They are then used at the end of, and within, the three lines that make up the envoi.īishop makes use of several poetic techniques in ‘ Sestina’. The end words in the first stanza, in this case, “house,” “grandmother,” “child,” “Stove,” “almanac,” and “tears” are repeated, in a different order, in the next five stanzas. The repetition of words at the end of the lines of a sestina is of the utmost importance. The poem form is known for its looping repetition and heritage dating back to the 12th century and troubadour music.
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It is called, when part of a sestina, an “envoi”. The seventh is a tercet, meaning it contains only three lines. The first six stanzas, as is customary in the sestina poem form, contain six lines and are known as sestets. ‘ Sestina’ by Elizabeth Bishop is a seven stanza poem that’s separated into uneven sets of lines.
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The almanac and the stove talk, moons fall from the book into a drawing, and the child makes inscrutable drawings. There are other strange elements to the poem as well. Her sorrow is a constant source of mystery in this piece and is never explained. They laugh, but the grandmother only does so to cover up her tears. Within the house that’s at the center of the poem, a grandmother and a child read from an almanac. The poem takes the reader through a scene that is at times sorrowful, solemn, and calm.
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‘Sestina’ by Elizabeth Bishop uses personification and a series of fantastical images to depict a grandmother, a child, and their house.